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  FIFTH BORN

  1230 Avenue of the Americas

  New York, NY 10020

  This book is a work of fiction. Names, characters, places and incidents are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons living or dead is entirely coincidental.

  Copyright © 2002 by Zelda Lockhart

  All rights reserved, including the right to reproduce

  this book or portions thereof in any form whatsoever.

  For information address Atria Books, 1230 Avenue

  of the Americas, New York, NY 10020

  ISBN-10: 0-7434-1867-0

  ISBN-13: 978-0-7434-1867-6

  ATRIABOOKSis a registered trademark of Simon & Schuster, Inc.

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  To my son and daughter,

  whose lives inspire outrageous creativity

  Acknowledgments

  Id like to thank my brother, LaVenson, for encouraging me to sing, write, and dance. Thank you to Travis for your love, patience, and support; Alex for bringing fire and passion back into my life; Leslie Bodie for your dedicated friendship and inspiration on gray winter days; Barb Dybwad for your technical talents; Susan Kemp for telling me Im special; Susan Altenhein for being so loving; and Sylvia Delzel for being supportive and knowing I could write this book. Thank you Catherine King and Candace King for showing up in my life every time I needed you. Thank you to Dorothy Allison for letting me know I was writing fiction. Thank you to my agent, Sally Wofford Girand, for your sharp expertise; my editors, Rachel Klauber-Speiden, Tracy Sherrod, and Malaika Adero for being so profoundly good at what you do, Thank you to Demond Jarrett for lending so much time and energy to the novel. And thank you to a host of writers, artists, friends, and sweet souls who waited patiently for the birth of this novel.

  FIFTH BORN

  Acknowledgments

  1: The Funeral

  2: Migrations

  3: His Undoing

  4: Protectors

  5: Gretal's Game

  6: Soul Brotha

  7: Aint Fanny's House

  8: The Familiar Place

  9: Shelter

  10: Letting Loose the Holy Spirit

  11: In the Silence

  12: John 3:16

  13: Mulberry Tree

  14: Big Sister

  15: Birthmark

  16: Gallstones

  17: The Baptism

  18: Skinning the Kill

  19: Her Hands This Time

  20: The Last Supper

  21: Beyond the Eleventh Tree

  22: Through Rows of Rolled Hay

  23: Fifth-Born of Eight

  24: Nothing Hid That Shall Not Be Manifested

  25: Moonshine

  26: Pallbearers

  27: Bone Teeth

  28: Omens

  29: The House of the Lord

  30: The Ghost of Ella Mae

  31: Flesh of My Flesh, Blood of My Blood

  About the Author

  1

  The Funeral

  When we pulled off in the station wagon to head home to St. Louis, Granmama stood in the wake of dirt and rocks waving, her black hair blowing violently in the wind of the storm that we were leaving. I watched Granmama from the back of the station wagon until first her copper skin faded into the colors of the landscape, and then the speck that was her dress drifted, as if blown by the wind, out of the road and up the stairs of her front porch. That was the last time I saw her.

  Granmamas funeral was held in the church where she had taken us on summer Sundays. The church stood tall and blinding white in the middle of a stretch of orange Mississippi dirt. Our family sat on the front pew, and because I was the baby, Isat next to Mama, holding her arm tight while my sisters and brothers sat quietly with their eyes wide open. Mama and the aunts wore veils, all their heads erect, their eyes and mouths invisible. The sun filtered through the stained-glass window, breaking the light into streams of orange and yellow where dust particles floated like dandelion seeds.

  Our Grandeddy sat on the elders pew at the front of the church. The wood dipped where he sat rocking to the soothing sound of the choir. He was the fattest black man I ever knew, and in the stained-glass light, he was so black, he was almost purple. The whites of his eyes were yellow like yolks. I stared at his face full of misery and regret for the woman that I never saw him hug or kiss. Their relationship was a lot like Mama and Deddys, always cutting each other down with a list of regrets, but the babies came like seasons.

  That day Grandeddys face was hard and cold, not grinning behind a sip of white lightning like it usually was. In his white shirt and suspenders he looked worn, his age dusty on his black skin. I rocked with him and the rest of the family, and looked all over the church for some shift in things that would help me understand what was happening. He rolled the program tighter and tighter where the roughness of his hands against the paper sounded faint behind the harmony of the choir. Their voices lifted into the beams of the church and resonated inside my chest.

  Walk the streets of glo-ry

  Let me lift my voice . . .

  The sweetness of the voices pushed Mama and the aunts into sobs and tears that sent me into tears, and I struggled to get around Mamas shaking arms and into her lap.

  The adults fanned themselves to the beat, moaning like Granmamas cow when Grandeddy took her calf and sold it down the road. I watched Grandeddy.

  The music paused, and the reverend stood. His voice echoed in the rafters. He that loveth father or mother more than me is not worthy of me: and he that loveth son or daughter more than me is not worthy of me. He that loseth his life for my sake shall find it.

  He wiped the spit from his mouth with a handkerchief and motioned for the choir to hum the procession song. People lined up to look in the casket, like they were lining up for communion. There we all sat waiting, me, the littlest Blackburn. The church framed us, my two sisters and two brothers, cousins, aunts, uncles, all the descendants of Grandeddy.

  A tall, sturdy woman walked by in the procession and looked into my eyes. She lifted me from Mamas side, just swooped down like a hawk. When Mama looked up and saw through tears and veil that this woman was taking me to view the body, she pushed her veil up and yelled, but I cannot remember the sound that came from her mouth, because the humming had turned to singing, and somebody was shouting out the Holy Spirit in front of the casket, but when this woman looked into my eyes, the singing and moaning were muted. She looked down at Granmama and whispered in my ear, Dont you never forget her face. You was her best granbaby. She tried to love you because she couldnt love her own.

  I didnt recognize the voice that sounded so much like Granmamas, but let my three-year-old ear linger there on what felt familiar, her breath warm like comfort where nothing else made sense.

  In the still of that moment I could smell Granmamas perfume, the perfume she only wore to church. She was resting inher yellow dress. The yellow dress that had yellow lace flowers over yellow satin, the dress that hung in her cedar wardrobe, the dress that she would put my hand on and say, Flowers. Flow-ers, and I would see in my mind the tall yellow sunflowers that had grown up among the weeds behind her house. I reached for her, but her hands were gray, not brown and pink, and her face was gray and dusty. She did not reach for me, and I did not know this woman in Granmamas dress.

  On the train back to St. Louis I asked Mama, When can we go back to Granmamas? but she stared straight ahead, moving only when the train jostled her. I let go of her arm and braced myself as I crossed the aisle. My oldest brother, Lamont, pulled me up on his lap. At nine he seemed to understand things like a grown-up. I asked, Where Deddy? He answered me whil
e looking out the window, Who cares?

  When we goin back to Granmama house? In the reflection I didnt see his face change, but I put my hand on his cheek to turn it to me, and felt heat rise up to his temples. Warm tears rolled over my hand, and he mumbled, Granmamas dead. I heard the voice of my big sister Towanda, the day she ran home and said, There was a fight after school in dead mans alley, and Mama saying, A nigga aint worth a damn less hes dead. I saw Granmamas gray face and yellow dress lying among broken glass and candy wrappers, muddy storm water washing over her. I leaned against Lamonts chest and cried at the window too.

  I was always crying, and clinging to Mama like death would sneak up and take her away. Unlike my four older siblings, I always walked because running meant falling, and falling released blood, blood released tears, pain spewing up from some churning ulcer inside of me that nobody understood. People stopped blaming my fragile state on the fact that I was born in Mississippi one summer and was Granmamas favorite, and it hurt me more than the other kids when she died. Mama said, Shes always cried a lot.

  Mama didnt seem to mind my constant tears unless we were at church or at a barbeque and one of the aunts commented, Lord, that chile done sprung a leak again, then Mama would yank me out of the fray of flying baseballs, jump ropes, and drunk uncles, and say, Dont be so damn sensitive, cryin over every little thing. Usually I cried softly for an additional hour, so none of the aunts would want to sit and talk to Mama, just like none of the kids wanted to play with me.

  My oldest sister, Towanda, nicknamed me cry baby-baby, because I was unlike my sisters and brothers, who had their legs planted firmly under them like young oaks with deep roots reaching beneath the asphalt. They ran up and down the streets of West St. Louis, falling and bruising without the slightest grimace. When Lamont dragged Towanda, Roscoe, and LaVern through the gangway in the red wagon, their ashy brown legs with dirty sneakers dangled. Their knees scraped against the brick of our house and the grainy tar-paper shingles of the neighbors housetheir laughter louder than the pain of scabby knees.

  My mama could tell a story. Where Deddy didnt have much to say about his childhood, Mama made up for it with stories about hers. And when she told stories about something bad, she had a way of plugging a funny image in there, or throwing her head back in a big laugh with her gold tooth shining. The story about how she got that tooth was one of my favorites.

  I was in Bos car flyin up to West Point to pick up my girlfriend. We was goin to my graduation dance, and the car caught a patch of gravel, and the next thing, my forehead was stuck in the glass of the windshield, and blood was pouring from where my real tooth used to be. Thats where she laughed, loud like Grandeddy, holding on to a door frame, a chair arm, a kids shoulder, whatever was nearest.

  In the living room there is a black-and-white photo of Mama on the hi-fi. She is in a white dress, sitting in the dirt next to the car. She is posing, smiling, her dress ballooned around her. Her round face is in contrast to the white bandage that is wrapped around her forehead. Grandeddys new car, black and chrome, is shining in the background, its front crumpled like papers. When I look at the photo, I can see the whole accident, just the way Mama describes it.

  When Mama tells the story about Granmama dying, it isnt funny at all.

  I sat on the front steps thigh to thigh with her. Mama watered our small lawn and hummed church songs in a low sweet voice, while Lamont, Towanda, Roscoe, and LaVern ran up and down Kennedy Avenue with the other neighborhood kids, trying to get the last bit of play in before it got too dark and Mama said come in. The smell of dry earth dampened bycool city water filled my lungs, and I sat and listened to her talk to our neighbors, who sat on their steps, watering their lawns in the same sweeping motion. Most of the grown-ups in our neighborhood had moved up from Mississippi at some point, and they always wanted to know what was happening back home.

  Mama shook her head and retold the story. Well, we were on the road coming back from down South when it happened, but Bo said Mother took one look at where he cut his self cleaning them fish and just lost her mind tryin to stop the bleeding.

  I made pictures in my mind while Mama talked, trying to see Granmama running all over her house, long arms reached to grab rags, quilt squares, whatever she could to stop the bleeding. I imagined my retarded cousin Neckbone being there. He was always present when bad stuff happened, but never made it into the retelling of the story. I could hear Granmamas footsteps from the kitchen to the bathroom, and Neckbone stood at Granmamas out-of-tune piano, trying to find the notes to Wade in the Water, his nervous, callused feet shifting from side to side on Granmamas wooden floor.

  Bo tried to tell her to calm down. He bled all over the table, but he wasnt hurting none. Lord, Lord. Mama shook her head, but kept up the steady sweeping motion with the hose.

  Mother ran to the bathroom to try to rinse and squeeze the rags, and she clutched her chest right there and had a heart attack. Bos blood was all over the bathroom, and all over her dress. She never could stand the sight of blood.

  I listened, rocking now, to music from the funeral:

  Whatcan wash awayall my sins

  Nothingbut the bloodof Jesus . . .

  And I saw in my mind Grandeddy wringing the program, Granmamas obituary scraping over the crusty insides of the hands he had cut up with a fishing knife, but there were no bandages.

  Death, blood, Jesus, my cousin Neckbone standing over Granmama singing Go Tell It on the Mountain, words and images put together like puzzle pieces that made a picture of logic for Mama and the neighbors, but in my brain they swam around like tadpoles trying to find a place to settle.

  2

  Migrations

  Mama said we were likely to tear a hole in the road as much as we went back and forth between Mississippi and St. Louis. Every summer, without fail, we took the highway south, the road thumped beneath us, and wires looped from pole to pole, landing us in a different reality, where The Howdy Doody Show was the only thing to watch on TV, and the sound of cicadas and crickets replaced the sound of traffic.

  The summer after Granmama died, we set out for Mississippi as usual. Grandeddy sat on the porch of his store sleeping and swatting flies, waiting for the crunch of our weighted station wagon on the rock road. That year there were us five kids, Deddy, Mama, and the new baby in her belly.

  I stood at Granmamas piano with my brother Lamont. He got more and more frustrated with Neckbone while trying to show him the notes. They were both ten years old. Lamont sang holding Neckbones index finger, and pounded the keys. The two of them stood in a trance, trying to play the song right. For each note Lamont stressed a word.

  Wade

  In the water

  Children

  Wade in the water

  Gods gonna trouble the water

  In my mind I did what Neckbone couldnt. I heard the notes and saw all of us behind the house making like the big mud hole was a big fishing hole, and I saw all the children of our family, the cousins, and my sisters and brothers being led by the march of the song into the mud. The dragonflies flew before us with their blue-and-green wings. The heat and the water disappeared us all to wherever Granmama was.

  Heaven is where Towanda said she had gone. When I asked her where that was, she said, Its not a real place, Odessa, its like what it looked like behind her house when she was here. How she had the flowers lined up, how the corn and the sunflowers grew so tall and green even when nobody else could get corn to grow. Its just like that, but its invisible, and she can talk to God.

  Towanda sat with her thick legs hanging off Granmamas porch, and explained it to me. Heaven is where you come from, and if youre good, where you end up. The new baby is coming from heaven, Odessa. She squinted at me to see if I was believing her.

  Towanda was strong, and thick with nappy braids. She was tall for an eight-year-old, and she doled out knowledge like a grown-up. I spent a lot of time behind Granmamas house that visit, thinking that if I stared hard enough into the distance o
f weeds and barbed-wire fences, I would see Granmama rocking the new baby the way she had rocked me.

  On the ride back to St. Louis we were only a little ways down the highway when Deddy had to stop for beer. We pulled up to the filling-station pump in a cloud of orange dirt. The station wagon jostled from side to side over rocks and potholes, and our bodies snatched to a halt. Deddy got out of the car and slammed the door all in one motion, and Mama moved half as fast, frowning, Humph, Loni, wait a minute.

  The filling station was an old weatherworn white shack with a tin Coca-Cola sign like the one that hung over Grandeddys store. In front stood one gas pump and a rusted barrel of rainwater for washing your windows. Behind the murky window I could see the face of an old white man, glaring at Mama and Deddy on approach. His bottom lip pushed up almost to his nose, and his face sagged on both sides.

  I sat in the backseat with Lamont and the Styrofoam cooler, which sat where Deddy could reach it with one hand on the steering wheel. Towanda, Roscoe, and LaVern sat in the very back of the station wagon. As soon as Mama and Deddy were inside the shack, LaVern reached over the seat and grabbed my Nakie doll that had been made from some of Granmamas old quilt squares when I was born.

  Rather than taking her on, I cried and buried my head in Lamonts side. I could feel the ribs beneath his white T-shirt,and his underarms smelled like the fried onions Mama would put in her canned sardines. I tried to pull away, but he was the oldest and busy asserting himself, so his sweaty hand pulled me tight. With his other hand free he tried to snatch the doll away from LaVern.